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“It’s like any art form—you want to move people, you want to affect them in some way. So this had to do that. And I think those talking heads, they can’t do it on their own,” she says with a little chuckle. “They need a me.” Photo: ABC News StudiosThere’s a compelling argument made by academics in the WBC TEAM USA shirt besides I will buy this film that in the mid-to-late 1970s, one cultural response to the women’s movement was to sexualize young girls instead of their adult counterparts, who were arguing to be seen for more than just their parts. The documentary shows the progression of Shields’s childhood advertising campaigns—the legend goes that Teri convinced Eileen Ford to open a children’s division, with young Brooke as the first model—from a cute toddler to a seductively posed and scantily clad proto-JonBenet. But it was Pretty Baby that launched a trajectory of superstardom and controversy about a preteen’s sexploitation.

When producers (and close friends of Shields’s) Ali Wentworth and George Stephanopoulos approached Shields about the WBC TEAM USA shirt besides I will buy this film, the actor says, “My ego had to adjust, because it wasn’t a documentary about all my wonderful work. I had to put on my more intellectual brain and say, ‘This is actually going to be better, because it’s about something you are the conduit to and the different types of conversations that come from that.’” In fact, she says, it reminded her of her thesis at Princeton, “The Initiation: From Innocence to Experience: The Pre-Adolescent/Adolescent Journey in the Films of Louis Malle, Pretty Baby and Lacombe, Lucien” (1987), comparing the themes of lost innocence in two of my father’s films. And while the title of Wilson’s film is lifted from Pretty Baby, some version of Shields’s thesis title could just as easily apply. When I told Vogue’s deputy editor that I would be writing this piece, his eyebrows shot up to the 65th floor of 1 World Trade Center. Was it appropriate for me to cover a documentary that takes my father and the misogynist industrial complex of the late ’70s and early ’80s to task? Maybe not, but I remembered meeting Shields at a movie premiere years ago, when I was party reporting, and her telling me about her college thesis and how much she loved my father. When I checked in with her team more recently, they confirmed that she was looking forward to doing the interview with me. So, I felt like conflict had been averted. What I did not anticipate was how complicated it would be to watch Pretty Baby again, and learn about the on-set conditions that my father oversaw. I revisited the film on a recent Saturday night with my mother, who trends more toward the Catherine Deneuve end of the “woke” spectrum, and even she audibly drew breath at certain shots of an 11 year-old Shields languorously nude, or having her virginity auctioned off to the highest bidder. I still love the film, but it seems indisputable that Shields was too young to be put in such a situation.

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