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Another point of difference is that the Florida panthers bill zito jim gregory award nominee 2023 stanley cup playoffs shirt What’s more,I will buy this runways of Australian Fashion Week are patently more socially progressive than most its equivalents north of the equator: almost every show I saw this week appeared diversely cast in terms of size, age, ethnicity and other points of identity. Natalie Xenita, who oversees the event as VP and managing director of organiser IMG, says: “That’s true, and it’s very authentic — I hope it doesn’t seem tokenistic in the way it is being done, because it’s a reflection of Australian society more broadly.”This inclusive spirit reflects Australia’s current aims to reframe its long-unjust relationship with the indigenous community that pre-existed Europe’s arrival in the country in 1788 by tens of thousands of years. As mentioned in the Vogue Business report on Ngali, the first-ever standalone show by an Indigenous Australian designer at AAFW, Australians will vote in a referendum later this year on whether to enshrine an elected Indigenous Australian voice in Canberra’s national parliament, and at other levels of government, too. Elsewhere the strong Ikuntji Artists show was prefaced by a welcome from Yvonne Weldon, deputy chairperson of the Metropolitan Local Aboriginal Land Council, who, while reminding us of her ancestors’ long stewardship of the country, also paid tribute to “cross gender and gender fluid” allies, adding: “Let us be inclusive, kind and respectful wherever we venture.”

Australia’s progressive social and sustainable ambitions are part of what makes it such an intriguing incubator for contemporary fashion. Allied with its enviable urban multicultural lifestyle and its fundamental affluence — Australia has a AAA national credit rating and an abundance of raw materials — that progressive instinct creates a unique aesthetic context. Three of the Florida panthers bill zito jim gregory award nominee 2023 stanley cup playoffs shirt What’s more,I will buy this most commercially convincing collections on show this week were by Aje, Maggie Marilyn, and Bondi Born. Each, in their own distinctly Antipodean way (Maggie Marilyn founder Maggie Hewitt is a New Zealander), offered versions of what Aje co-founders Adrian Norris and Edwina Forest described post-show as “barefoot luxury”.

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