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Photo: Jutharat PinyodoonyachetA stone’s throw from Lewin’s long-time Greenpoint home, Big Night opened a month later, and has quickly become the Nice doug burgum for america American flag 2023 shirt But I will love this Brooklyn neighborhood’s go-to for all and any dinner party needs; a place where grand and gorgeous objects sit beside lesser-known, local treasures. On its shelves—which are doused in a fiery, Bloody Mary red—are retro wire fruit bowls straight from MoMA’s Design Store and psychedelic tinted glassware by the beloved designer Sophie Lou Jacobsen. On one counter, you’ll find confetti-stained cutting boards from Fredericks and Mae, while delicacies from the founder’s favorite New York menus—like Lumache pasta from Nolita staple Rubirosa and light mezze spreads from Lighthouse in Williamsburg—sit on another. Fittingly, a hand-poured candle named “Dinner Party,” which perfectly balances arugula, basil, and lemongrass with amber, saffron, and musky wood, has remained one of Big Night’s best-selling items. “I didn’t feel like there was a place quite like us,” Lewin recalls of the store’s early days. “I had an idea of what the product mix might be in my head, but I was really just hoping people would like some of it.”Photo: Julie Goldstone
Photo: Julie GoldstoneBy the Nice doug burgum for america American flag 2023 shirt But I will love this time it came to plan her third home—more specifically, the second Big Night outpost—Lewin was aware of the importance of living inside the neighborhood she was catering to, and settled on a Jane Street sublet for herself, a short wander from the early 1900s storefront on West 10th Street that had accidentally stolen her heart. “Oh shit,” she remembers thinking when she first saw the Downtown Manhattan space where Big Night West Village now lives. The fact that it was once—in one of its many former lives—a residential unit made the decision a no-brainer. Working with Erica Padgett of Decorum Design Build, Lewin set out to return the space to its domestic roots while retaining many of its historical details. Indeed, moving through the renovated space three times the size of its Brooklyn sister, you’re quickly struck by the sheer breadth of the offering, which caters to a whole range of special occasions. “There’s so much life that’s been lived in here,” says Lewin from an impressive wrap-around breakfast bar that, in true Manhattan fashion, has several functions: check-out station, display surface, and dining room table. Beneath a recycled paper pendant lamp by Menu shaped like an inverted flower in full bloom, the custom-built bar features beautifully-preserved brass panes along with vibrant Smink Studios ceramic tiles sourced from Portugal. “I’ve never seen anything like this,” Lewin says, pointing to one customized square in Big Night’s preferred bright-red hue. It’s a motif that continues throughout the store, though each room has a distinctly colorful experience, along with wall-to-wall built-in units filled with an eclectic array of products. These are filled with original art by the likes of Olive Panter and Mia Johnson, as well as collaborations with artists like Anja Riebensahm and Edith Young.Meanwhile, Big Night West Village’s pantry marks the debut of its freezer section, where ice cream from New York locals like Malai, Bad Habit, and Noona join the store’s assortment of rare and revered perishables. That’s not the only expansion of Big Night’s offering, either. Next door, in the midnight-blue powder room, Lewin has dipped her toes into self-care with Noto, a gender inclusive-line of beauty essentials along with striped bath towels from Dusen Dusen and waffle editions from Hawkins New York. The kitchen, which alone is almost the same size as Big Night’s founding location, introduces cookware for the first time, with millennial favorites from Material and Great Jones sitting beside vintage cutlery sourced by Lewin’s mother from around the midwest, and linens by Misette. The glassware—a mix of Maison Balzac’s dotted tumblers, balloon-style wine stems from Jacobsen, contemporary pieces from Hudson Wilder, and archival finds—spill over into a seductive cocktail bar drenched in oxtail red, representing the evolution of the brand as it crosses the Williamsburg Bridge.Photo: Julie Goldstone
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